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Madame BovaryStock informationGeneral Fields
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DescriptionFrom A to Z, the Penguin Drop Caps series collects 26 unique hardcovers--featuring cover art by type superstar Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's film "Moonrise Kingdom" to Penguin's own bestsellers "Committed "and "Rules of Civility." A collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an "A" for Jane Austen's "Pride and Prejudice," a "B" for Charlotte Bronte's "Jane Eyre," and a "C" for Willa Cather's "My antonia," and continues with more classics from Penguin. Author descriptionGUSTAVE FLAUBERT was born in Rouen in 1821, the son of a prominent physician. A solitary child, he was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The form of his work was marked by intense aesthetic scrupulousness and passionate pursuit of le mot juste; its content alternately reflected scorn for French bourgeois society and a romantic taste for exotic historical subject matter. The success of "Madame Bovary" (1857) was ensured by government prosecution for "immorality"; "Salammbo "(1862) and "The Sentimental Education" (1869) received a cool public reception; not until the publication of "Three Tales" (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His circle of friends included Turgenev and the Goncourt brothers, while the young Guy de Maupassant underwent an arduous literary apprenticeship under his direction. Increasing personal isolation and financial insecurity troubled his last years. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pecuchet, left unfinished at his death in 1880. |